{"id":14778,"date":"2025-03-21T12:13:53","date_gmt":"2025-03-21T12:13:53","guid":{"rendered":"https:\/\/mecc-extern.fffect.com\/?p=14778"},"modified":"2025-03-21T12:13:53","modified_gmt":"2025-03-21T12:13:53","slug":"tefaf-concludes","status":"publish","type":"post","link":"https:\/\/mecc-extern.fffect.com\/en\/tefaf-concludes\/","title":{"rendered":"TEFAF Maastricht concludes amid triumphant sales"},"content":{"rendered":"<p><strong>TEFAF Maastricht 2025 has successfully concluded its 38th edition, reporting robust sales across all collecting categories and reaffirming its status as the world\u2019s premier fair for art, antiques and design. Over 50,000 visitors, including international collectors, connoisseurs and institutions, converged on Maastricht to acquire the finest works spanning over 7,000 years of art history.<\/strong><\/p>\n<p>Cementing its reputation as the foremost annual gathering of the global museum community, TEFAF invited close to 500 institutions to scrutinize the aisles for prospective acquisitions, many of which were accompanied by patrons and collectors. Attendees included representatives from prestigious institutions including: The Art Institute of Chicago; Ch\u00e2teau de Chantilly; Cleveland Museum of Art; Fine Art Museums of San Francisco; Hong Kong Palace Museum; Louvre; Louvre Abu Dhabi; Metropolitan Museum of Art, Minneapolis Institute of Arts; Museum of Contemporary Art, Los Angeles; Museum of Fine Arts, Boston; Museum of Modern Art, Paris; New Museum, New York; Mus\u00e9e d\u2019Orsay; National Gallery, London; National Gallery of Canada; Palais de Tokyo, Paris; Suermondt Ludwig Museum; Rijksmuseum; Toledo Museum of Art; Van Gogh Museum, and Zayed National Museum, among many others.<\/p>\n<p><strong>THEMES AND TRENDS<br \/>\nArt Deco Centenary<\/strong><br \/>\nMarking a century since the landmark \u201carts d\u00e9coratifs\u201d exhibition in Paris, Art Deco was celebrated through immersive presentations by exhibitors such as Galerie Marcelpoil, Morentz and Galerie Marcilhac, which recreated room settings capturing the movement\u2019s spirit.<\/p>\n<p><strong>New Discoveries<br \/>\n<\/strong>This year\u2019s fair showcased several remarkable rediscoveries including an early work by Gustav Klimt, unseen since 1928, presented by W&amp;K \u2013 Wienerroither &amp; Kohlbacher. Trinity Fine Art unveiled a Titian masterpiece: Madonna &amp; Child with St Mary Magdalene, which had been hidden from public view for over 200 years. First time exhibitor, Patrick Bourne &amp; Co showed a portrait of Sarah Bernhardt by Bastien-Lepage, gifted by the artist to the actress and only shown in public once since. Out of sight for over a century, Le Tondeur de Chiens by Jan Stobbaert, at the booth of Thomas Deprez Fine Art, is a seminal work in the development of Belgian impressionism.<\/p>\n<p><strong>Female Artists<br \/>\n<\/strong>Interest in female artists continued to thrive with over 500 works presented at the fair. Highlights included pieces by Dame Elizabeth Frink (MacConnal Mason), Louise Bourgeois (Galerie Zlotowski), Marie Bracquemond (Galerie Pauline Pavec), Mary Beale (Weiss Gallery), Rosalba Carriera (Matteo Salamon and Rob Smeets Gallery), Lavinia Fontana (Fondantico di Tiziana Sassoli) and Emily Kam Kngwarreye (D\u2019Lan Contemporary) attracting significant attention or finding new homes.<\/p>\n<p><strong>Haute Joaillerie<\/strong><br \/>\nExquisite craftsmanship was on display in haute joaillerie with first-time exhibitors Margot McKinney, Buccellati, Santi and Feng J joining renowned names such as Van Cleef &amp; Arpels, Anna Hu and Hemmerle, presenting dazzling collections of rare gemstones and exceptional design.<\/p>\n<p><strong>Reimagining Philanthropy: The Great Wealth Transfer<\/strong><br \/>\nIn its second year, the TEFAF Summit explored new philanthropic models, highlighting the estimated $60 trillion wealth transfer from the baby boomer generation over the next 25 years, with one third projected to benefit the cultural sector. Discussions centered on strategies for attracting younger donors and enhancing societal impact.<\/p>\n<p><strong>EXHIBITOR SUCCESS AND MAJOR SALES<br \/>\n<\/strong>Exhibitors reported sales across all categories, with acquisitions by both institutional and private collectors. Notable transactions included:*note to editors \u2013 earlier sales are outlined in the press release of 17 March here<\/p>\n<p><strong>Paintings<\/strong><\/p>\n<p>\u2022 M.S. Rau (US) sold Still Life with Two Sacks and a Bottle by Vincent van Gogh to a private collector, which had an asking price of $4.75 million.<\/p>\n<p>\u2022 Galeria Caylus (Spain) sold a 17th century Still Life with a Basket of Apples and a Glass of Wine by Pedro de Camprobin y Passano to a European private collection for around \u20ac120,000. A further sale of Noble Tennis Players in Elegant Company by Jacob Grimmer sold to a Belgian private collector with an asking price of \u20ac250,000.<\/p>\n<p>\u2022 Stoppenbach &amp; Delestre (UK) announced the sale of a work by Emile Bernard to a US institution, alongside several acquisitions by European collectors, with prices ranging from \u20ac20,000 to \u20ac200,000.<\/p>\n<p>\u2022 Charles Beddington (UK) sold Venice: The Molo from the Bacino di San Marco on Ascension Day attributed to Bernardo Canal, to a US private collector for a six-figure sum.<\/p>\n<p>\u2022 Amongst numerous sales Colnaghi (UK) sold the 17th century Still Life of Figs with Hazelnuts by the female artist, Giovanna Garzoni and a marble bust of Marcus Aurelius attributed to Giovanni Battista della Porta.<\/p>\n<p>\u2022 Bottegantica (Italy) showed three different Italian art movements: Belle \u00c9poque; Divisionism; and Futurism. Among its sales were two works by the 19th century artist, Giovanni Segantini to two private European collections.<\/p>\n<p><strong>Modern &amp; Contemporary Art<\/strong><\/p>\n<p>\u2022 Connaught Brown (UK) sold The Beach and the Villas by Gustave Caillebotte to the National Museum of Sweden, which will be the first work by the artist to be in a Scandinavian collection.<\/p>\n<p>\u2022 Galerie Ludorff (Germany) sold Colomierstra\u00dfe in Wannsee by Max Liebermann to a US museum with an asking price of \u20ac850,000, in addition to a work by Keith Haring which was sold to a US private collector with an asking price of \u20ac450,000.<\/p>\n<p>\u2022 Hidde van Seggelen (Germany) sold an historical work by Joseph Beuys, dated 1979 and later renamed by Beuys in 1984, to an important European collector. The Museum Voorlinden acquired a work by Klaas Kloosterboer, whilst pieces by Jan van de Pavert, Damian Taylor, Robert Holyhead and Andy Holden are destined for collections in Switzerland, Ireland, France and the Czech Republic.<\/p>\n<p>\u2022 A Lighthouse Called Kanata (Japan) sold 28 works including Myomu (Key to a Dream) by Kan Yasuda to a Hong Kong collector with an asking price of \u20ac150,000; Seed by Satoru Ozaki sold to a Spanish private collector with an asking price of \u20ac150,000. Further sold works included pieces by Niyoko Ikuta, Masaaki Yonemoto, Chico Takei and Kentaro Sato for between \u20ac70,000 and \u20ac120,000, acquired by collectors from the Netherlands, Switzerland and Tokyo.<\/p>\n<p>\u2022 Beck &amp; Eggeling (Germany) made multiple sales including works by Pablo Picasso, Heinz Mack, Edouardo Chillida and George Rickey to European private collectors.<\/p>\n<p>\u2022 Borzo Gallery (Netherlands) sold works by 20th century Dutch icons including several by Ben Akkerman, Carel Visser and Jan Schoonhoven to a prominent Swiss collector, a Dutch institution and a collection in New York.<\/p>\n<p><strong>Antiques<\/strong><\/p>\n<p>\u2022 Artur Ramon Art (Spain) sold one of the finest tapestries to have ever been seen at TEFAF within the first few minutes of the fair\u2019s opening. It had an asking price of \u20ac800,000 and was purchased by a Dutch institution. Additionally, the gallery sold a Predella for \u20ac200,000 and two Albarellos from Manises, each for around \u20ac40,000.<\/p>\n<p>\u2022 Daniel Crouch Rare Books (UK) sold on every day of the fair including books, maps and pocket globes. Significant sales included a Wall Map of Leiden and a Map of Rotterdam during the Dutch Golden Age.<\/p>\n<p>\u2022 Adrian Sassoon (UK) sold a monumental vase, Blue: Midnight Lantern 2023 by Felicity Aylieff which is 2.45m in height and weighs 630kg. It had an asking price of \u20ac110,000 and is thought to be the largest ever piece of porcelain to be sold at the fair.<\/p>\n<p>\u2022 Flore (Belgium) presented a striking moss-covered grotto featuring a rare collection of French Renaissance ceramics by followers of Bernard Palissy with asking prices of between \u20ac20,000 and \u20ac30,000. Two major US museums acquired four pieces and with a further six sold to private collectors from Europe and the US and negotiations are ongoing with several institutions.<\/p>\n<p>\u2022 Walter Padovani (Italy) sold The Cumaean Sybil + Salmo\u00e9 by Bianca Boni for approximately \u20ac20,000 that featured in TEFAF\u2019s Insider\u2019s Collecting Guide and sold to a new collector.<\/p>\n<p>\u2022 Koopman Rare Art (UK) sold a set of 12 magnificent silver-gilt dinner plates commissioned through the Florentine goldsmiths, the Scheggi Brothers for the Borghese Palace, which were acquired by a descendent of the Borghese family.<\/p>\n<p>\u2022 Alessandra Di Castro (Italy) sold an Angel Head in biscuit porcelain from Alessandro Algardi by Giovanni Volpato to a private collector.<\/p>\n<p>\u2022 Aronson Antiquairs (Netherlands) reported an exceptional fair. Among the pieces sold were two works to European private collectors including a Garniture, along with three floral still life sculptures by Anna Volkova, one of which is destined for China.<\/p>\n<p>\u2022 T\u00f3th Ikonen (Netherlands) a 17th century icon Saint Nicholas of Mozhaisk which featured in the Insider\u2019s Collecting Guide, sold to a first-time buyer.<\/p>\n<p>\u2022 Kunstkammer Georg Laue (Germany) sold an extremely rare 17th century erotic trick glass from Nuremberg to a private museum in Portugal.<\/p>\n<p><strong>Design &amp; Decorative Arts<\/strong><\/p>\n<p>\u2022 Sarah Myerscough Gallery (UK) sold Christopher Kurtz\u2019s Sheets Desk to a British private collector.<\/p>\n<p>\u2022 Galerie Maria Wettergren (Paris) exhibited in the Focus section of the fair where booths present works by a single artist. The gallery sold the majority of its pieces by the Norwegian female artist, Gjertrud Hals, to collectors from China, the US, the Netherlands and France.<\/p>\n<p>\u2022 Caterina Tognon (Italy) sold Primavera, a hyper-realistic glass composition by Lilla Tabasso, destined for an important collection of contemporary art.<\/p>\n<p><strong>Works on Paper<\/strong><\/p>\n<p>\u2022 As the fair concluded W&amp;K \u2013 Wienerroither &amp; Kohlbacher (Austria) was in negotiations with two private collectors and two museums, all vying to acquire its rediscovered masterpiece Portrait of Prince William Nii Nortey Dowuona by Gustav Klimt, which had an asking price of \u20ac15 million.<\/p>\n<p>\u2022 Colnaghi Elliot Master Drawings (UK) made 13 sales including two to European institutions with prices up to \u20ac350,000.<\/p>\n<p>\u2022 St\u00e9phane Clavreuil Rare Books (Paris) sold a miniature travel library comprising 19 books published between 1582 and 1606, preserved in their contemporary travel case, which was acquired by a private collector with an asking price of \u20ac100,000.<\/p>\n<p>\u2022 Stephen Ongpin Fine Art (UK) sold a large pastel work by the Italian-British artist, Lavinia Harrington, a TEFAF d\u00e9but for a young artist who recently graduated from the Slade School of Fine Art. The piece was acquired by an Asian private client.<\/p>\n<p>\u2022 James Butterwick (UK) presented a booth of works by Ukranian artists, selling six pieces by Yakov Chernikhov to an interior designer based in Lisbon. A further work by Oleksandr Bohomazov was acquired by a British private collector.<\/p>\n<p>\u2022 Agnews Works on Paper (Belgium) sold every day of the fair, in total around 20 pieces including Rodin\u2019s, The Sun Goes Down, acquired by a private collector.<\/p>\n<p>\u2022 Kunsthandlung Helmut H. Rumbler (Germany) sold The Three Trees, a 17th century etching and engraving by Rembrandt Harmenszoon van Rijn to a private collector.<\/p>\n<p><strong>Ancient and African Art<\/strong><\/p>\n<p>\u2022 Serge Schoffel &#8211; Art Premier (Belgium) sold a 19th century Royal Olifant Horn, Kingdom of Bamum, Cameroon to a private collector, which had a high six-figure asking price.<\/p>\n<p>\u2022 Charles Ede (UK) showed a selection of fine and ancient art alongside each other, selling 20 works priced at up to \u20ac300,000. Clients included two international institutions and European buyers.<\/p>\n<p>\u2022 David Aaron (UK) sold Ushabti of Amun-meku to a US private collector for a six-figure sum.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>TEFAF Maastricht 2025 has successfully concluded its 38th edition, reporting robust sales across all collecting categories and reaffirming its status as the world\u2019s premier fair for art, antiques and design. Over 50,000 visitors, including international collectors, connoisseurs and institutions, converged on Maastricht to acquire the finest works spanning over 7,000 years of art history. Cementing&hellip; <a class=\"more-link\" href=\"https:\/\/mecc-extern.fffect.com\/en\/tefaf-concludes\/\">Continue reading <span class=\"screen-reader-text\">TEFAF Maastricht concludes amid triumphant sales<\/span><\/a><\/p>\n","protected":false},"author":28,"featured_media":14761,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-14778","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-nieuws","entry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v25.5 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>TEFAF Successfully Concludes Its 38th Edition | MECC Maastricht<\/title>\n<meta name=\"description\" content=\"TEFAF Maastricht 2025 Confirms Its Status as a Leading Art Fair with Strong Sales and Over 50,000 Visitors. 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